"Oh, I don't mean with all the things here," he explained in regard to the opinion he had just expressed. "I mean I could put up with it just as it was; it had a lot of good things, don't you think? I mean if everything was back at Poynton, if everything was all right." He brought out these last words with a sort of smothered sigh. Fleda didn't understand his explanation unless it had reference to another and more wonderful exchange—the restoration to the great house not only of its tables and chairs, but of its alienated mistress. This would imply the installation of his own life at Ricks, and obviously that of another person. Such another person could scarcely be Mona Brigstock. He put out his hand now; and once more she heard his unsounded words: "With everything patched up at the other place, I could live here with you. Don't you see what I mean?" Fleda gave her a faint smile. "He'll come if he can."!

"Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art." He laughed out at this, and she wondered if, with a new-born acuteness, he saw the absurdity of her speech, and that no one was happy just because no one could be what she so lightly prescribed. "I don't pretend to be perfect, but I shall find a letter to-night!"

"He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration. Of course she had her duty—her duty to Owen—a definite undertaking, reaffirmed, after his visit to Ricks, under her hand and seal; but there was no sense of possession attached to that; there was only a horrible sense of privation. She had quite moved from under Mrs. Gereth's wide wing; and now that she was really among the pen-wipers and ash-trays she was swept, at the thought of all the beauty she had forsworn, by short, wild gusts of despair. If her friend should really keep the spoils she would never return to her. If that friend should on the other hand part with them, what on earth would there be to return to? The chill struck deep as Fleda thought of the mistress of Ricks reduced, in vulgar parlance, to what she had on her back: there was nothing to which she could compare such an image but her idea of Marie Antoinette in the Conciergerie, or perhaps the vision of some tropical bird, the creature of hot, dense forests, dropped on a frozen moor to pick up a living. The mind's eye could see Mrs. Gereth, indeed, only in her thick, colored air; it took all the light of her treasures to make her concrete and distinct. She loomed for a moment, in any mere house, gaunt and unnatural; then she vanished as if she had suddenly sunk into a quicksand. Fleda lost herself in the rich fancy of how, if she were mistress of Poynton, a whole province, as an abode, should be assigned there to the august queen-mother. She would have returned from her campaign with her baggage-train and her loot, and the palace would unbar its shutters and the morning flash back from its halls. In the event of a surrender the poor woman would never again be able to begin to collect: she was now too old and too moneyless, and times were altered and good things impossibly dear. A surrender, furthermore, to any daughter-in-law save an oddity like Mona needn't at all be an abdication in fact; any other fairly nice girl whom Owen should have taken it into his head to marry would have been positively glad to have, for the museum, a custodian who was a walking catalogue and who understood beyond any one in England the hygiene and temperament of rare pieces. A fairly nice girl would somehow be away a good deal and would at such times count it a blessing to feel Mrs. Gereth at her post. Fleda jerked herself up. "Were they saving the things?"